This series was inspired by the plateau ranges of eastern Washington Sate. I have an affinity for those open spaces. Sometimes there is a haze in the air that eliminates a definite horizon line. Everything can be a little “fuzzy.” As you can see, this series has fragmented horizon lines representing the landscape.
Blue Two
The story of this piece really begins at Leo Adams’ house in Yakima, Washington. I need to pay tribute. Leo Adams lives a rich life as an artist, and he inspires artists in his community. I am one of them. I belong to the organization Northwest Designer Craftsmen, and Leo has graciously opened his home to our group several times. I always leave inspired and impressed. Marquand Books published a book about Leo and his unique home called “Leo Adams Art Home.” Read about Leo here.
On a recent visit I was taken by a piece in his home. It looked like a two-panel Rothko painting. Upon inspection I realized it was two pieces of sheet metal with their own long untold history of paint and rust. I was immediately inspired with a vision in my mind of a two-panel piece with shaped edges. I couldn’t wait to get back to my studio. I needed to experiment. I opted to draw on museum board - a type of mat board that is thick and archival.
My first version was a prototype. I had to figure out some problematic material issues. My friend Deborah has that one hanging in her house. This one is “Blue Two” because it is the second piece after learning from the first.
This is drawn on 4-ply museum board, but it still was not thick enough. After trimming the edges into the desired shape, I used museum glue to adhere another 4-ply sheet of museum board to the back. After trimming those edges to match, I painted the edges to match the piece. Then, they each were mounted for hanging. I had fun figuring out how to create this vision into reality, and it has started me on a new direction in my work.
I fully attribute my inspiration to Leo Adams. As a person, he is inspiring. He has influenced many people in his life. He has no idea how many - including me.
(This piece has sold.)
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Basalt
The water seeping from the sandstone cliffs in Zion National Park is 400 years old. Looking into the thermal pools at Yellowstone is like looking back in time at organisms just now reaching the Earth’s surface.
I find more of nature’s drama in canyons, lava tubes, and in basalt pillars. How did they form that way? What forces caused their shapes? As an artist, I am intrigued by their sculptural forms.
I have added my own drama and artistic voice to this rendition of basalt pillars. These panels are 40 inches tall. Each ‘pillar’ was created separately, then the three were combined into a single piece for hanging. I had fun with this one.
Drawing on archival museum board (mat board) affords me the opportunity to shape each panel. The light fast / non-fading color pencils lend themselves to infinite blending of color. Texture was added by showing the strokes, the mark of the artist’s hand, with each pencil mark. Pieces this large use quite a few pencils, quite a few strokes. There is a calming meditative feeling while working on something this large, with thousands of strokes. The studio is quiet, calm and full of color. This piece has sold.